And yet, he sought the Calabrian. Here was another blind alley out of which she had to retrace her steps. Bother! That Puck of Shakespeare was right: What fools these mortals be! She was very glad that she possessed a true sense of humor, spiced with harmless audacity. What a dreary world it must be to those who did not know how and when to laugh! They talked of the daring of the American woman: who but a Frenchwoman would have dared what she had this night? The taxicab! She laughed. And this man was wax in the hands of any pretty woman who came along! So rumor had it. But she knew that rumor was only the attenuated ghost of Ananias, doomed forever to remain on earth for the propagation of inaccurate whispers. Wax! Why, she would have trusted herself in any situation with a man with those eyes and that angle of jaw. It was all very mystifying. "Follow him; see where he goes." The frank discussion, then, and the calm dismissal were but a woman's dissimulation. And he had gone to Flora Desimone's.

The carriage stopped before a handsome apartment-house in the Avenue de Wagram. The unknown got out, gave the driver his fare, and rang the concierge's bell. The sleepy guardian opened the door, touched his gold-braided cap in recognition, and led the way to the small electric lift. The young woman entered and familiarly pushed the button. The apartment in which she lived was on the second floor; and there was luxury everywhere, but luxury subdued and charmed by taste. There were fine old Persian rugs on the floors, exquisite oils and water-colors on the walls; and rare Japanese silk tapestries hung between the doors. In one corner of the living-room was a bronze jar filled with artificial cherry blossoms; in another corner near the door, hung a flat bell-shaped piece of brass--a Burmese gong. There were many photographs ranged along the mantel-top; celebrities, musical, artistic and literary, each accompanied by a liberal expanse of autographic ink.

She threw aside her hat and wraps with that manner of inconsequence which distinguishes the artistic temperament from the thrifty one, and passed on into the cozy dining-room. The maid had arranged some sandwiches and a bottle of light wine. She ate and drank, while intermittent smiles played across her merry face. Having satisfied her hunger, she opened her purse and extracted the bank-note. She smoothed it out and laughed aloud.

"Oh, if only he had taken me for a ride in the taxicab!" She bubbled again with merriment.

Suddenly she sprang up, as if inspired, and dashed into another room, a study. She came back with pen and ink, and with a celerity that came of long practise, drew five straight lines across the faint violet face of the bank-note. Within these lines she made little dots at the top and bottom of stubby perpendicular strokes, and strange interlineal hieroglyphics, and sweeping curves, all of which would have puzzled an Egyptologist if he were unused to the ways of musicians. Carefully she dried the composition, and then put the note away. Some day she would confound him by returning it.

A little later her fingers were moving softly over the piano keys; melodies in minor, sad and haunting and elusive, melodies that had never been put on paper and would always be her own: in them she might leap from comedy to tragedy, from laughter to tears, and only she would know. The midnight adventure was forgotten, and the hero of it, too. With her eyes closed and her lithe body swaying gently, she let the old weary pain in her heart take hold again.