Both Cicero and Livy have expressed themselves very fully on the subject of Cato’s orations. The former admits, that his “language is antiquated, and some of his phrases harsh and inelegant: but only change that,” he continues, “which it was not in his power to change—add number and cadence—give an easier turn to his sentences—and regulate the structure and connection of his words, (an art which was as little practised by the older Greeks as by him,) and you will find no one who can claim the preference to Cato. The Greeks themselves acknowledge, that the chief beauty of composition results from the frequent use of those forms of expression, which they call tropes, and of those varieties of language and sentiment, which they call figures; but it is almost incredible with what copiousness, and with what variety, they are all employed by Cato(26).” Livy principally speaks of the facility, asperity, and freedom of his tongue(27). Aulus Gellius has instituted a comparison of Caius Gracchus, Cato, and Cicero, in passages where these three orators declaimed against the same species of atrocity—the illegal scourging of Roman citizens; and Gellius, though he admits that Cato had not reached the splendour, harmony, and pathos of Cicero, considers him as far superior in force and copiousness to Gracchus(28).

Of the book on Military Discipline, a good deal has been incorporated into the work of Vegetius; and Cicero’s orations may console us for the want of those of Cato. But the loss of the seven books, De Originibus, which he commenced in his vigorous old age, and finished just before his death, must ever be deeply deplored by the historian and antiquary. Cato is said to have begun to inquire into the history, antiquities, and language of the Roman people, with a view to counteract the influence of the Greek taste, introduced by the Scipios; and in order to take from the Greeks the honour of having colonized Italy, he attempted to discover on the Latin soil the traces of ancient national manners, and an indigenous civilization. The first book of the valuable work De Originibus, as we are informed by Cornelius Nepos, in his short life of Cato, contained the exploits of the kings of Rome. Cato was the first author who attempted to fix the era of the foundation of Rome, which he calculated in his Origines, and determined it to have been in the first year of the 7th Olympiad. In order to discover this epoch, he had recourse to the memoirs of the Censors, in which it was noted, that the taking of Rome by the Gauls, was 119 years after the expulsion of the kings. By adding this period to the aggregate duration of the reigns of the kings, he found that the amount answered to the first of the 7th Olympiad. This is the computation followed by Dionysius of Halicarnassus, in his great work on Roman antiquities. It is probably as near the truth as we can hope to arrive; but even in the time of Cato, the calculated duration of the reigns of the kings was not founded on any ancient monuments then extant, or on the testimony of any credible historian. The second and third books treated of the origin of the different states of Italy, whence the whole work has received the name of Origines. The fourth and fifth books comprehended the history of the first and second Punic wars; and in the two remaining books, the author discussed the other campaigns of the Romans till the time of Ser. Galba, who overthrew the Lusitanians.

In his account of these later contests, Cato merely related the facts, without mentioning the names of the generals or leaders; but though he has omitted this, Pliny informs us that he did not forget to take notice, that the elephant which fought most stoutly in the Carthaginian army was called Surus, and wanted one of his teeth(29). In this same work he incidentally treated of all the wonderful and admirable things which existed in Spain and Italy. Some of his orations, too, as we learn from Livy, were incorporated into it, as that for giving freedom to the Lusitanian hostages; and Plutarch farther mentions, that he omitted no opportunity of praising himself, and extolling his services to the state. The work, however, exhibited great industry and learning, and, had it descended to us, would unquestionably have thrown much light on the early periods of Roman history and the antiquities of the different states of Italy. Dionysius of Halicarnassus, himself a sedulous inquirer into antiquities, bears ample testimony to the research and accuracy of that part which treats of the origin of the ancient Italian cities. The author lived at a time which was favourable to this investigation. Though the Samnites, Etruscans, and Sabines, had been deprived of their independence, they had not lost their monuments or records of their history, their individuality and national manners. Cicero praises the simple and concise style of the Origines, and laments that the work was neglected in his day, in consequence of the inflated manner of writing which had been recently adopted; in the same manner as the tumid and ornamented periods of Theopompus had lessened the esteem for the concise and unadorned narrative of Thucydides, or as the lofty eloquence of Demosthenes impaired the relish for the extreme attic simplicity of Lysias(30).

In the same part of the dialogue, entitled Brutus, Cicero asks what flower or light of eloquence is wanting to the Origines—“Quem florem, aut quod lumen eloquentiæ non habent?” But on Atticus considering the praise thus bestowed as excessive, he limits it, by adding, that nothing was required to complete the strokes of the author’s pencil but a certain lively glow of colours, which had not been discovered in his age.—“Intelliges, nihil illius lineamentis, nisi eorum pigmentorum, quæ inventa nondum erant, florem et calorem defuisse(31).”

The pretended fragments of the Origines, published by the Dominican, Nanni, better known by the name of Annius Viterbiensis, and inserted in his Antiquitates Variæ, printed at Rome in 1498, are spurious, and the imposition was detected soon after their appearance. The few remains first collected by Riccobonus, and published at the end of his Treatise on History, (Basil, 1579,) are believed to be genuine. They have been enlarged by Ausonius Popma, and added by him, with notes, to the other writings of Cato, published at Leyden in 1590.

Any rudeness of style and language which appears either in the orations of Cato, or in his agricultural and historical works, cannot be attributed to total carelessness or neglect of the graces of composition, as he was the first person in Rome who treated of oratory as an art(32), in a tract entitled De Oratore ad Filium.

Cato was also the first of his countrymen who wrote on the subject of medicine(33). Rome had existed for 500 years without professional physicians(34). A people who as yet were strangers to luxury, and consisted of farmers and soldiers, (though surgical operations might be frequently necessary,) would be exempt from the inroads of the “grisly troop,” so much encouraged by indolence and debauchery. Like all semi-barbarous people, they believed that maladies were to be cured by the special interposition of superior beings, and that religious ceremonies were more efficacious for the recovery of health than remedies of medical skill. Deriving, as they did, much of their worship from the Etruscans, they probably derived from them also the practice of attempting to overcome disease by magic and incantation. The Augurs and Aruspices were thus the most ancient physicians of Rome. In epidemic distempers the Sibylline books were consulted, and the cures they prescribed were superstitious ceremonies. We have seen that it was to free the city from an attack of this sort that scenic representations were first introduced at Rome. During the progress of another epidemic infliction a temple was built to Apollo(35); and as each periodic pestilence naturally abated in course of time, faith was confirmed in the efficacy of the rites which were resorted to. Every one has heard of the pomp wherewith Esculapius was transported under the form of a serpent, from Epidaurus to an islet in the Tiber, which was thereafter consecrated to that divine physician. The apprehension of diseases raised temples to Febris and Tussis, and other imaginary beings belonging to the painful family of death in order to avert the disorders which they were supposed to inflict. It was perceived, however, that religious professions and lustrations and lectisterniums were ineffectual for the cure of those complaints, which, in the 6th century, luxury began to exasperate and render more frequent at Rome. At length, in 534, Archagatus, a free-born Greek, arrived in Italy, where he practised medicine professionally as an art, and received in return for his cures the endearing appellation of _Carnifex_(36). But though Archagatus was the first who practised medicine, Cato was the first who wrote of diseases and their treatment as a science, in his work entitled Commentarius quo Medetur Filio, Servis, Familiaribus. In this book of domestic medicine—duck, pigeons, and hare, were the foods he chiefly recommended to the sick(37). His remedies were principally extracted from herbs; and colewort, or cabbage, was his favourite cure(38). The recipes, indeed, contained in his work on agriculture, show that his medical knowledge did not exceed that which usually exists among a semi-barbarous race, and only extended to the most ordinary simples which nature affords. Cato hated the compound drugs introduced by the Greek physicians—considering these foreign professors of medicine as the opponents of his own system. Such, indeed, was his antipathy, that he believed, or pretended to believe, that they had entered into a league to poison all the barbarians, among whom they classed the Romans.—“Jurarunt inter se,” says he, in a passage preserved by Pliny, “barbaros necare omnes medicina: Et hoc ipsum mercede faciunt, ut fides iis sit, et facile disperdant(39).” Cato, finding that the patients lived notwithstanding this detestable conspiracy, began to regard the Greek practitioners as impious sorcerers, who counteracted the course of nature, and restored dying men to life, by means of unholy charms; and he therefore advised his countrymen to remain stedfast, not only by their ancient Roman principles and manners, but also by the venerable unguents and salubrious balsams which had come down to them from the wisdom of their grandmothers. Such as they were, Cato’s old medical saws continued long in repute at Rome. It is evident that they were still esteemed in the time of Pliny, who expresses the same fears as the Censor, lest hot baths and potions should render his countrymen effeminate, and corrupt their manners(40).