Translations

Latin: Misopogon and Letters, Martin in edition. Oration I, Schaefer in edition. Letters, Heyler in edition. French: Tourlet, Paris, 3 vols. 1821. Traduction de quelques Ouvrages de l’Empereur Julien, Abbé de la Bleterie, Paris, 1748. Caesars, Spanheim, Paris, 1683. German: Against the Christians, Neumann, Leipzig, 1880. English: Select Works by Duncombe, London, 1784 (contains also some translations of Libanius).

Bibliographical Addendum (1980)

J. Bidez: La tradition manuscrite et les éditions des discours de Julien (1929). J. Bidez: La vie de l’empereur Julien (1930). G. W. Bowersock: Julian the Apostate, Cambridge, Mass. (1978). R. Browning: The Emperor Julian (1975). G. Gigli: Giuliano l’Apostata (1960). W. E. Kaegi: “Research on Julian, 1945‐1964,” CW 58 (1965) 229ff. G. Ricciotti: Julian the Apostate, trans. M. J. Costelloe (1960).

ORATION I

[Transcriber’s Note: The original book had pages with Greek on the left page and the corresponding English translation on the facing right page. In this e‐book, each Greek paragraph will be immediately followed by the English translation paragraph, surrounded in parentheses. The Greek text contains markings such as [3] and [B]; they are section and sub‐section markings that in the original book were in the right margin. These are different from numbers within parentheses such as (10), which are used as footnote references in some e‐book formats.]

ΙΟΥΛΙΑΝΟΥ ΚΑΙΣΑΡΟΣ ΕΓΚΩΜΙΟΝ ΕΙΣ ΤΟΝ ΑΥΤΟΚΡΑΤΟΡΑ ΚΩΝΣΤΑΝΤΙΟΝ

(PANEGYRIC IN HONOUR OF THE EMPEROR CONSTANTIUS)

Πάλαι με προθυμούμενον, ὦ μέγιστε βασιλεῦ, τὴν σὴν ἀρετὴν καὶ πράξεις ὑμνῆσαι καὶ τοὺς πολέμους ἀπαριθμήσασθαι, καὶ τὰς τυραννίδας ὅπως ἀνῄιρηκας, τῆς μὲν λόγῳ καὶ πειθοῖ τοὺς δορυφόρους ἀποστήσας, τῆς δὲ τοῖς ὅπλοις κρατήσας, τὸ μέγεθος εἶργε τῶν πράξεων, οὐ τὸ βραχὺ λειφθῆναι τῷ λόγῳ τῶν ἔργων δεινὸν κρίνοντα, ἀλλὰ τὸ παντελῶς τῆς ὑποθέσεως διαμαρτεῖν δόξαι. τοῖς μὲν γὰρ περὶ τοὺς πολιτικοῦς ἀγῶνας καὶ τὴν ποίησιν διατρίβουσιν οὐδὲν θαυμαστὸν εἰ ῥᾳδίως ἔξεστιν ἐγχειρεῖν τοῖς ἐπαίνοις τῶν σοι πραχθέντων· [2] περίεστι γὰρ αὐτοῖς ἐκ τῆς τοῦ λέγειν μελέτης καὶ τῆς πρὸς τὰς ἐπιδείξεις συνηθείας τὸ θαρσεῖν ἐν δίκῃ. ὅσοι δὸ τοῦ μὲν τοιούτου μέρους κατωλιγώρησαν, ὥρμησαν δ᾽ ἐφ᾽ ἕτερον παιδείας εἶδος καὶ λόγων ξυγγραφὴν οὐ δήμῳ κεχαρισμένην οὐδ᾽ ἐς θέατρα παντοδαπὰ τολμῶσαν ἀποδύεσθαι, πρὸς τὰς ἐπιδείξεις ἔχοιεν ἂν εἰκότως εὐλαβεστέρως. ἔστι γὰρ οὐκ ἄδηλον τοῦθ᾽ ὅτι [B] τοῦς μὲν ποιηταῖς Μοῦσαι καὶ τὸ δοκεῖν ἐκεῖθεν ἐπιπνεομένους τὴν ποίησιν γράφειν ἄφθονον παρέχει τὴν ἐξουσίαν τοῦ πλάσματος· τοῖς ῥήτορσι δὲ ἡ τέχνη τὴν ἴσην παρέσχεν ἄδειαν, τὸ μὲν πλάττειν ἀφελομένη, τὸ δὲ κολακεύειν οὐδαμῶς ἀπαγορεύσασα, οὐδὲ αἰσχύνην ὁμολογουμένην τῷ λέγοντι τὸ ψευδῶς(7) ἐπαινεῖν τοὺς οὐκ ἀξίους ἐπαίνου κρίνασα. ἀλλ᾽ οἱ μὲν ἐπειδὰν καινόν τινα μῦθον καὶ μηδέπω τοῖς πρόσθεν ἐπινοηθέντα φέρωσιν αὐτοὶ ξυνθέντες, [C] τῷ ξένῳ τοὺς ἀκούοντας ψυχαγωγήσαντες πλέον θαυμάζονται· οἱ δὲ τῆς τέχνης ἀπολαῦσαί φασιν ἐν τῷ δύνασθαι περὶ τῶν μικρῶν μειζόνως διελθεῖν, καὶ τὸ μέγεθος ἀφελεῖν τῶν ἔργων τῷ λόγῳ, καὶ ὄλως ἀντιτάττειν τῇ τῶν πραγμάτων φύσει τὴν δύναμιν(8) τῶν λόγων.

(I have long desired, most mighty Emperor, to sing the praises of your valour and achievements, to recount your campaigns, and to tell how you suppressed the tyrannies; how your persuasive eloquence drew away one usurper’s(9) bodyguard; how you overcame another(10) by force of arms. But the vast scale of your exploits deterred me, because what I had to dread was not that my words would fall somewhat short of your achievements, but that I should prove wholly unequal to my theme. That men versed in political debate, or poets, should find it easy to compose a panegyric on your career is not at all surprising. Their practice in speaking, their habit of declaiming in public supplies them abundantly with a well‐ warranted confidence. But those who have neglected this field and chosen another branch of literary study which devotes itself to a form of composition little adapted to win popular favour and that has not the hardihood to exhibit itself in its nakedness in every theatre, no matter what, would naturally hesitate to make speeches of the epideictic sort. As for the poets, their Muse, and the general belief that it is she who inspires their verse, obviously gives them unlimited license to invent. To rhetoricians the art of rhetoric allows just as much freedom; fiction is denied them, but flattery is by no means forbidden, nor is it counted a disgrace to the orator that the object of his panegyric should not deserve it. Poets who compose and publish some legend that no one had thought of before increase their reputation, because an audience is entertained by the mere fact of novelty. Orators, again, assert(11) that the advantage of their art is that it can treat a slight theme in the grand manner, and again, by the use of mere words, strip the greatness from deeds, and, in short, marshall the power of words against that of facts.)

Ἐγὼ δὲ εἰ μὲν ἑώρων ταύτης ἐμαυτὸν ἐπὶ τοῦ παρόντος ἐν χρείᾳ τῆς τέχνης, ἦγον ἂν τὴν προσήκουσαν ἡσυχίαν τοῖς ἀμελετήτως ἔχουσι τῶν τοιούτων λόγων, [D] παραχωρῶν τῶν σῶν ἐγκωμίων ἐκείνοις, ὧν μικρῷ πρόσθεν ἐμνήσθην. ἐπεὶ δὲ ἅπαν τοὐναντίον ὁ παρὼν ἀπαιτεῖ λόγος τῶν πραγμάτων ἁπλῆν διήγησιν οὐδενὸς ἐπεισάκτου κόσμου δεομένην, ἔδοξε κἀμοὶ προσήκειν, τοῦ(12) ἀξίως διηγήσασθαι τῶν ἔργων ἀνεφίκτου καὶ τοῖς προλαβοῦσιν(13) ἤδη φανέντος. ἅπαντες γὰρ σχεδὸν οἱ [3] περὶ παιδείαν διατρίβοντες σε(14) ἐν μέτρῳ καὶ καταλογάδην ὑμνοῦσιν, οἱ μὲν ἅπαντα περιλαβεῖν ἐν βραχεῖ τολμῶντες, οἱ δὲ μέρεσιν αὑτοὺς ἐπιδόντες τῶν πράξεων ἀρκεῖν ᾠήθησαν, εἰ τούτων τῆς ἀξίας μὴ διαμάρτοιεν. ἄξιον δὲ ἄγασθαι τὴν προθυμίαν τῶν ἀνδρῶν ἁπάντων, ὅσοι τῶν σῶν ἐπαίνων ἥψαντο. οἱ μὲν γάρ, ὅπως μηδὲν ὑπὸ τοῦ χρόνου τῶν σοι πραχθέντων ἀμαυρωθείη, τὸν μέγιστον ὑποδῦναι πόνον ἐτόλμησαν, οἱ δέ, ὅτι τοῦ παντὸς διαμαρτήσειν ἤλπιζον, τὴν αὑτῶν γνώμην ἐν μέρει προύφηναν, [B] ἄμεινον τοῦ τῆς σιωπῆς ἀκινδύνου γέρως κρίναντες κατὰ δύναμίν σοι τῶν οἰκείων πόνων ἀπάρξασθαι.

(If, however, I had seen that on this occasion I should need their art, I should have maintained the silence that befits those who have had no practice in such forms of composition, and should leave your praises to be told by those whom I just now mentioned. Since, on the contrary, the speech I am to make calls for a plain narrative of the facts and needs no adventitious ornament, I thought that even I was not unfit, seeing that my predecessors had already shown that it was beyond them to produce a record worthy of your achievements. For almost all who devote themselves to literature attempt to sing your praises in verse or prose; some of them venture to cover your whole career in a brief narrative, while others devote themselves to a part only, and think that if they succeed in doing justice to that part they have proved themselves equal to the task.)

Εἰ μὲν οὖν καὶ αὐτὸς εἷς ὢν ἐτύγχανον τῶν τοὺς ἐπιδεικτικοὺς ἀγαπώντων λόγους, ἐχρῆν ἐντεῦθεν ἄρχεσθαι τῆς ὑποθέσεως, τὴν ἴσην εὔνοιαν ἀπαιτήσαντα τῆς ὑπαρχούσης ἤδη σοι παρ᾽ ἡμῶν καὶ δεηθέντα τῶν λόγων ἀκροατὴν εὐμενῆ γενέσθαι, οὐχὶ δὲ ἀκριβῆ καὶ ἀπαραίτητον κριτὴν καταστῆναι. [C] ἐπεὶ δὲ ἐν ἄλλοις μαθήμασι τραφέντες καὶ παιδευθέντες, καθάπερ ἐπιτηδεύμασι καὶ νόμοις, ἀλλοτρίων κατατολμᾶν ἔργων δοκοῦμεν οὐκ ὀρθῶς, μικρά μοι δοκεῖ χρῆναι καὶ περὶ τούτων δηλῶσαι, οἰκειοτέραν ἀρχὴν προθέντα τοῦ λόγου.

(Yet one can but admire the zeal of all who have made you the theme of a panegyric. Some did not shrink from the tremendous effort to secure every one of your achievements from the withering touch of time; others, because they foresaw that they could not compass the whole, expressed themselves only in part, and chose to consecrate to you their individual work so far as they were able. Better this, they thought, than “the reward of silence that runs no risk.”(15) Now if I were one of those whose favourite pursuit is epideictic oratory, I should have to begin my speech by asking from you no less goodwill than I now feel towards yourself, and should beg you graciously to incline your ear to my words and not play the part of a severe and inexorable critic. But since, bred as I have been and educated in other studies, other pursuits, other conventions, I am criticised for venturing rashly into fields that belong to others, I feel that I ought to explain myself briefly on this head and begin my speech more after my own fashion.)

Νόμος ἐστὶ παλαιὸς παρὰ τοῦ πρώτου φιλοσοφίαν ἀνθρώποις φήναντος οὑτωσὶ κείμενος· ἅπαντας [D] πρὸς τὴν ἀρετὴν καὶ πρὸς τὸ καλὸν βλέποντας ἐπιτηδεύειν ἐν λόγοις, ἐν ἔργοις, ἐν ξυνουσίαις, ἐν πᾶσιν ἁπλῶς τοῖς κατὰ τὸν βίον μικροῖς καὶ μείζοσι τοῦ καλοῦ πάντως ἐφίεσθαι. πάντων δὲ ὅτι κάλλιστον ἀρετή, τίς ἂν ἡμῖν τῶν νοῦν ἐχόντων ἀμφισβητήσειε; ταύτης τοίνυν ἀντέχεσθαι διακελεύεται τοὺς μὴ μάτην τουτὶ περιοίσοντας τοὔνομα, προσῆκον οὐδὲν αὐτοῖς σφετερισαμένους. ταῦτα δὲ διαγορεύων ὁ νόμος οὐδεμίαν ἰδέαν ἐπιτάττει λόγων, οὐδ᾽ ὥσπερ ἔκ τινος τραγικῆς μηχανῆς, φησὶ, χρῆναι προαγορεύει τοῖς ἐντυγχάνουσ [4] σπεύδειν μὲν πρὸς τὴν ἀρετήν, ἀποφεύγειν δὲ τὴν πονηρίαν, ἀλλὰ πολλαῖς ὁδοῖς ἐπὶ τοῦτο δίδωσι χρῆσθαι τῷ βουληθέντι μιμεῖσθαι τὴν ἐκείνου φύσιν. καὶ γὰρ παραίνεσιν ἀγαθὴν καὶ λόγων προτρεπτικῶν χρῆσιν καὶ τὸ μετ᾽ εὐνοίας ἐπιπλήττειν τοῖς ἁμαρτήμασιν ἐπαινεῖν τε αὖ τὰ καλῶς πραχθέντα καὶ ψέγειν, ὅταν ᾖ καιρός, τὰ μὴ [B] τοιαῦτα τῶν ἔργων. ἐφίησι δὲ καὶ(16) ταῖς ἄλλαις ἰδεαις, εἴ τις ἐθέλοι, πρὸς τὸ βέλτιστον τῶν λόγων χρῆσθαι, ἐπὶ παντὶ δὲ οἶμαι καὶ λόγῳ καὶ πράξει μεμνῆσθαι προστάττων, ὅπῃ τούτων ὑφέξουσιν εὐθύνας, ὧν ἂν τύχωσιν εἰπόντες, λέγειν δὲ οὐδὲν ὅ τι μὴ πρὸς ἀρετὴν καὶ φιλοσοφίαν ἀνοίσουσι. τὰ μὲν οὖν ἐκ τοῦ νόμου ταῦτα καὶ τοιαῦτα ἕτερα.