IX.

CAP-ING A PROCTOR, OR OXFORD BULL-DOGS DETECTING BRAZENNOSE SMUGGLERS. 152 Tom Echo and Horace Eglantine lowering the plate-basket, after the College-gates are closed, to obtain a supply of fresh provision, are detected by the Proctor and Town Marshal with their Bull-Dogs: in their alarm the basket and its contents are suddenly let fall upon the Proctor, who is not able to under- stand the joke.

X.

THE ARRIVAL, OR WESTERN ENTRANCE INTO COCKNEY LAND. 164 Portrait of high and low life Dandies and Dandysettes.

XI. THE GREEN-ROOM OF THE KING'S THEATRE, R NOBLE AMATEURS VIEWING FOREIGN CURIOSITIES. 198 Portraits of ten noble and distinguished patrons of the opera, with those of certain daughters of Terpsichore.

XII. THE ROYAL SALOON IN PICCADILLY, OR AN HOUR AFTER THE OPERA. 205 Heartly, Lionise, and Transit in search of Character--The gambling Parsons--Legs and Leg-ees-Tats men and touters-- Moll Raffle and Bang.

XIII.

OXFORD TRANSPORTS, OR UNIVERSITY EXILES. 235 Albanians doing penance for past offences. A Scene sketched from the Life. Horace Eglantine is proposing "the Study of the Fathers," a favourite College toast, while Tom Echo is enforcing Obedience to the President's proposition by finishing off a Shirker. Dick Gradus having been declared absent, is taking a cool nap with the Ice-pail in his arms and his head resting upon a Greek Lexicon: in the left hand corner may be seen a Scout bearing off a dead Man, (but not without hope of Resurrection). Bob Transit and Bernard Blackmantle occupy the situation on each side of Dick Gradus; in the right-hand corner, Horace's servant is drawing the last Cork from the parting bottle, which is to welcome in the peep o' day. Injustice to the present authorities it should be stated, that this is a Scene of other limes.--Vide A.

XIV. SHOW SUNDAY, A VIEW IN THE BROAD WALK, CHRIST CHURCH MEADOWS, OXFORD. 244 Portraits of the Togati and the town, including big wigs, nobs, and dons. Among the more conspicuous are Dr. Kett, Lord G. Grenville, Dr. Grovesnor, Alderman Fletcher, and Mr. Swan.

XV. TOWN AND GOWN. 246 Battle of the Togati and Town Raff of Oxford, a night scene. --Bernard and his Friends, Horace and Tom, distributing among the Bargees of St. Clement's.

XVI.

BLACK MATINS, OR THE EFFECTS OF LATE DRINKING UPON EARLY RISERS. 269 A Most Imposing Scene.-Time seven o'clock in the Morn- ing, the last bell has just tolled, and the University Men have just turned out, while the hunting-frock, boots, and appear- ance of some of the party, proclaim that they have just turned in; all are eager to save fine and imposition, and not a few are religiously disturbed in their Dreams. The admirable disorder of the party is highly illustrative of the Effect produced by an Evening Wine Party in College Rooms.

XVII. GOLGOTHA, OR THE PLACE OF SCULLS. 272 Tom Echo receiving sentence of Rustication. The Big Wigs in a Bustle. Lecture on disobedience and chorus of the Synod. Reports from the Isle of Bull dogs. Running foul of the Quicksands of Rustication after having passed Point Failure and The Long Hope. Nearly blown up at Point Nonplus, and obliged to lay by to refit.

XVIII. THE EVENING PARTY AT THE PAVILION, BRIGHTON. (BY O. M. BRIOHTY.) 296 Interior of the Yellow Room--Portraits of His Majesty, the Duke of York, and Princess Augusta, Marquis and Marchioness of Conyngham, Earl of Arran, Lord Francis Conyngham, Lady Elizabeth and Sir H. Barnard, Sir H. Turner, Sir W. Knighton, Sir E. Nagle, and Sir C. Paget, sketched from the Life.

XIX. THE KING AT HOME, OR MATHEWS AT CARLTON HOUSE. 298 A scene founded on fact; including Portraits of the King, Mathews, and other celebrated persons.

XX. A FROLIC IN HIGH LIFE, OR, A VISIT TO BILLINGS- GATE. 303 A very extraordinary whim of two very distinguished females, whose Portraits will be easily recognised.

XXI. CHARACTERS ON THE STEYNE, BRIGHTON. 309 Portraits of illustrious, noble, and wealthy Visitors--The Banker's Widow--A Bathing Group--The Chain Pier, &c.

XXII. TOM ECHO LAID UP WITH THE HEDDINGTON FEVER, OR AN OXONIAN VERY NEAR THE WALL. 323 Symptoms of having been engaged too deeply in the study of Hie fathers. Portrait of a well-known Esculapian chief.

XXIII.

MONDAY AFTER THE GREAT ST. LEGER, OR HEROES OF THE TURF PAYING AND RECEIVING AT TATTERSALL'S. 329 This sketch was made upon the spot by my friend Transit, on the Monday following the result of the last Great St. Leger in 1823, when the Legs were, for the most part, in mourning from the loss of their favourite Sherwood. Some long faces will be easily recognized, and some few round ones, though Barefoots, not easily be forgotten. The Tinkers were many of them Levanters. Here may be seen the Peer and the Prig, the Wise one and the Green one, the Pigeon and the Rook amalgamated together. It is almost unnecessary to say, the greater part of the characters are portraits.

XXIV.

EXTERIOR OF FISHMONGERS'-HALL, ST. JAMES'S STREET, WITH A VIEW OF A REGULAR BREAKDOWN. 331 Portraits of the Master Fishmonger, and many well- known Greeks and Pigeons.

XXV.

INTERIOR OF A MODERN HELL. (Vide the affair of the cogged dice.) 334 Portraits of upwards of twenty well-known Punters and Frequenters--Greeks and Pigeons, noble and ignoble--The Fishmonger in a fright, or the gudgeon turned shark--Expose of Saint Hugh's Bones--Secrets worth knowing. (See work.)

XXVI. THE DAFFY CLUB, OR A MUSICAL MUSTER OF THE FANCY. 339 Interior of Tom Belcher's Parlour. Heartly and Bob in search of Character. Striking likenesses of Boxers, Betters, &c.--with a pen and ink Sketch of a Noted--one--a fine School for Practical Experience. (For key to Portraits- see work.)

XXVII.

PEEP 0' DAYS AND FAMILY MEN AT THE FINISH. 342 A Night Scene near Covent Garden--Coffee and comical company.

XXVIII. FAMILY MEN AT FAULT, OR AN UNEXPECTED VISIT FROM THE BISHOP AND HIS CHAPLAINS. 345 A Scene near Covent Garden, in which are introduced certain well-known Characters and Bow-street Officers: in- cluding Messrs. Bishop, Smith, Ruthven, and Townshend.

XXIX.

THE HALL OF INFAMY, ALIAS OYSTER SALOON, IN BRYDGES-STREET, OR NEW COVENT GARDEN HELL. 354 Portraits of the old Harridan and her Flask man Tom. Sketches of Sharps and Flats, Green ones and Impures. Done from the Life.

XXX.

WESTMINSTER HALL. 361 Portraits of well-known Worthies of the Bar.--The Maiden Brief.--Dick Gradus examining a Witness.

XXXI.

SURREY COLLEGIANS GIVING A LIFT TO A LIMB OF THE LAW. 364 Interior of the King's Bench Prison--Rough-drying a Lawyer.

XXXII. R-A-YS OF GENIUS REFLECTING ON THE TRUE LINE OF BEAUTY AT THE LIFE ACADEMY, SOMERSET HOUSE. (BY T. ROWLANDSON.) 365 Bob Transit's first appearance as a student. Sketching from the Life. Outlines of character. How to grow rich but not great. Secrets worth knowing, and Portraits of all the Well-known.

XXXIII.

BERNARD BLACKMANTLE READING HIS PLAY IN THE GREEN-ROOM OF COVENT GARDEN THEATRE. 366 Portraits of Messrs. C. Kemble, Fawcett, Farley, Jones, Farren, Grimaldi, Macready, Young, T. P. Cooke, Chapman, Blanchard, Abbott, Cooper, Yates, and the English Spy; Mrs. Davenport, Miss Chester, Miss M. Tree, Miss Love, and Mrs. Davison.

XXXIV.

BERNARD BLACKMANTLE READING HIS FARCE IN THE GREEN ROOM OF THE THEATRE ROYAL, DRURY LANE. (by T. Wageman.) 367 Portraits of Elliston, Dowton, Harley, Munden, Knight, Liston, Oxberry, Sherwin, Gattie, Wallack, Terry, G. Smith, and Barnard, Miss Stephens, Mrs. Orger, Madame Vestris, Mrs. Harlowe, and the English Spy. The Likenesses are all studies from the life.

XXXV. THE CITY BALL AT THE MANSION HOUSE. 368 Portraits of the Duke of Sussex, the Lord Mayor (Waith- man) and Lady Mayoress, the Sheriffs Laurie and Whittaker, Aldermen Wood and Curtis, Sir Richard Phillips, Messrs. Hone, Patten, with other well-known Characters.

XXXVI. JEMMY GORDON'S FROLIC. 369 A Cambridge tale. Vide Peter House.

ILLUSTRATIONS ON WOOD

FROM ORIGINAL DESIGNS BY CRUIKSHANK, ROWLANDSON, GILRAY, AND FINLAY, ENGRAVED BY BONNER AND HUGHES.

VIGNETTE ON TITLE PAGE. Old Father Time borne away on the shoulders of the Genii, Frolic, Mirth, and Fancy.