THE OXFORD RAKE'S PROGRESS 233

TOWN AND GOWN, AN OXFORD ROW.

Battle of the Togati and the Town--Raff--A Night--Scene in the High-Street, Oxford--Description of the Combatants-- Attack of the Gownsmen upon the Mitre--Evolutions of the Assailants--Manoeuvres of the Proctors and Bull--Dogs-- Perilous Condition of Blackmantle and his Associates, Eglan- tine, Echo, and Transit--Snug Retreat of Lionise--The High-- Street after the Battle--Origin of the Argotiers, and Inven- tion of Cant--phrases--History of the Intestine Wars and Civil Broils of Oxford, from the Time of Alfred--Origin of the late Strife--Ancient Ballad--Retreat of the Togati-- Reflections of a Freshman--Black Matins, or the Effect of late Drinking upon early Risers--Visit to Golgotha, or the Place of Sculls--Lecture from the Big--Wigs--Tom Echo receives Sentence of Rustication 246

TOWNE AND GOWNE 263

THE STAGE COACH, OR THE TRIP TO BRIGHTON. Improvements in Travelling--Contrast of ancient and modern Conveyances and Coachmen--Project for a new Land Steam Carriage--The Inn--yard at the Golden Cross, Charing Cross--Mistakes of Passengers--Variety of Characters--Ad- vantages of the Box--seat--Obstructions on the Road--A Pull--up at the Elephant and Castle--Move on to Kennington Common--New Churches--Civic Villas at Brixton--Modern Taste in Architecture described--Arrival at Croydon; why not now the King's Road?--The Joliffe Hounds--A Hunting Leader--Anecdotes of the Horse, by Coachee--The new Tunnel at Reigate--The Baron's Chamber--The Golden Ball --the Silver Ball--and the Golden Calf--Entrance into Brighton 274

THE PROPOSITION. Family Secrets--Female Tactics--How to carry the Point 287

SKETCHES AT BRIGHTON. The Pavilion Party--Interior described--Royal and Noble Anecdotes--The King and Mathews 292

CHARACTERS ON THE BEACH AND STEYNE, BRIGHTON. On Bathing and Bathers--Advantages of Shampooing-- French Decency--Brighton Politeness--Sketches of Character --The Banker's Widow--Miss J----s--Mrs. F----1--Peter Paragraph, he London Correspondent--J--k S----h--The French Consul--Paphian Divinities--C---- L----, Esq. Squeeze into the Libraries--The new Plunging Bath-- Chain Pier--Cockney Comicalities--Royal Gardens--The Club House 305

METROPOLITAN SKETCHES. Heartly, Echo, and Transit start for a Spree--Scenes by Daylight, Starlight, and Gaslight--Black Monday at Tatter-- sail's--The first Meeting after the Great St. Leger--Heroes of the Turf paying and receiving--Dinner at Fishmongers' Hall --Committee of Greeks--The Affair of the Cogged Dice--A Regular Break--down--Rules for the New Club--The Daffy Club, or a Musical Muster of the Fancy: striking Portraits-- Counting the Stars--Covent Garden, what it was and what it is--The Finish--Anecdotes of Characters--The Hall of Infamy, alias the Covent Garden Hell 327

VISIT TO WESTMINSTER HALL. Worthies thereof--Legal Sketches of the Long Robe--An Awkward Recognition--Visit to Banco Regis--Surrey Col-- legians giving a Lift to a Limb of the Law--Out of Rule and in Rule--"Thus far shalt thou go, and no further"--Park Rangers personified--Visit to the Life Academy, Somerset House--R. A--ys of Genius reflecting on the true Line of Beauty--Peep into the Green Rooms of the two Theatres Royal, Drury Lane and Covent Garden--Bernard Blackmantle reading his new Play and Farce--The City Ball at the Mansion House--The Squeeze--Civic Characters--Return to Oxford-- Invite to Cambridge--Jemmy Gordon's Frolic--Term ends 355

ILLUSTRATIONS IN THE ENGLISH SPY.

(By R. CRUIKSHANK unless otherwise attributed)

We hope it will be generally admitted that few volumes have a more decided claim upon the public patronage, in respect to the novelty and variety of design, as well as the number of illustrations, than the one here presented to the reader. To speak of the choice humorous talent engaged in the work would only be to re-echo the applauding sentiments of the reviewers and admirers of rich graphic excellence. Cruikshank and Rowlandson are names not unworthy a space upon the same roll with Hogarth, Gilray, and Bunbury: to exhibit scenes of character in real life, sketched upon the spot, was an undertaking of no mean importance; particularly, when it is remembered how great the difficulty must have been in collecting together accurate portraits. The work, it will be perceived, contains thirty-six Copper- Plates, etched, aquainted, and coloured, by and under the direction of the respective artists whose names appear to the different subjects, the principal part of which are the sole production of Mr. Robert Cruikshank. The Wood Engravings, twenty-eight in number, besides the Vignettes, (which are numerous), are equally full of merit; and will be found, upon examination, to be every way worthy the superior style of typographical excellence which characterises the volume,

I.

THE FRONTISPIECE

Is intended to convey a general idea of the nature of the work; combining, in rich classic taste, a variety of subjects illustrative of the polished as well as the more humble scenes of real life. It represents a Gothic Temple, into which the artist, Mr. Robert Cruikshank, has introduced a greater variety of characteristic subject than was ever before compressed into one design. In the centre compartment, at the top, we have a view of a Terrestrial Heaven, where Music, Love, and gay Delight are all united to lend additional grace to Fashion, and increase the splendour of the revels of Terpsichore. In the niches, on each side, are the twin genii, Poetry and Painting; while the pedestals, right and left, present the protectors of their country, the old Soldier and Sailor, retired upon pensions, enjoying and regaling themselves on the bounty of their King. In the centre of the Plate are three divisions representing the King, Lords, and Commons in the full exercise of their prerogatives. The figures on each side are portraits of Bernard Blackmantle (the English Spy), and his friend, Robert Transit (the artist), standing on projecting pedestals, and playing with the world as a ball; not doubting but for this piece of vanity, the world, or the reviewers for them, will knock them about in return. On the front of the pedestals are the arms of the Universities of Oxford and Cambridge; and in the centre armorial shields of the Cities of London and Westminster. The picture of a modern Hell, in the centre, between the pedestals, has the very appropriate emblems of Misery and Death, in the niches on each side. Crowning the whole, the Genius of Wit is seen astride of an eagle, demonstrative of strength, and wielding in his hand the lash of Satire; an instrument which, in the present work, has been used more as a corrective of we than personal ill-nature.

II.

THE FIVE PRINCIPAL ORDERS OF SOCIETY. The King-Corinthian; an elegant Female-Composite; the Nobleman-Doric; a Member of the University-Ionic; and the Buck of Fashion-Tuscan. On the left hand may be seen a specimen of the Exquisite, a new order in high estimation at the west end of the Town; and on the right hand stands an old order of some solidity in the eastern parts of the Metropolis. Fashion, Taste, and Fame, are emblematical of the varied pursuits of life; while the Army and Navy of the country are the capitals that crown the superstructure, combining the ornamental with the useful.

III.

FIRST ABSENCE, OR THE SONS OF OLD ETONA ANSWERING MORNING MUSTER-ROLL. 25 A view of the school-yard, Eton, at the time first Absence is called, and just when the learned Doctor Keat is reviewing the upper school. (Portraits.)

IV.

THE OPPIDAN'S MUSEUM, OR ETON COURT OF CLAIMS AT THE CHRISTOPHER. 49 Bernard Blackmantle and Robert Transit sitting in judge- ment after Election Saturday, apportioning the remuneration money to the different claimants of the surrounding trophies.

V.

ETON MONTEM, AND THE MOUNT, SALT HILL. 96 An accurate sketch of this ancient customary procession made upon the spot.

VI.

THE FIRST BOW TO ALMA MATER. 113 Bernard Blackmantle's Introduction to the Big Wig on his Arrival at Oxford.

VII.

FLOORING OF MERCURY, OR BURNING THE OAKS. 131 A scene in Tom Quadrangle, Oxford.

"If wits aright their tale of terror tell, A little after great Mercurius fell,

***

Gownsmen and Townsmen throng'd the water's edge To gaze upon the dreadful sacrilege:

***

------there with drooping mien a silent band Canons and Bedmaker together stand:--

***

In equal horror all alike were seen, And shuddering scouts forgot to cap the Dean."

VIII.

COLLEGE COMFORTS. 151 Taking possession of your rooms. Bernard Blackmantle taking possession of his rooms in Brazennose. Scout's list of wants. Standing the quiz of the Togati Visible propensities of your predecessor. The day of purification.