The Babylonian story of the Creation is a narrative of great interest to all who occupy themselves with the study of ancient legends and folklore. It introduces us not only to exceedingly ancient beliefs concerning the origin of the world on which we live, but it tells us also of the religion, or, rather, the religious beliefs, of the Babylonians, and enables us to see something of the changes which those beliefs underwent before adopting the form in which we find them at the time this record was composed.

A great deal has been written about the Babylonian story of the Creation. As is well known, the first translation of these documents was by him who first discovered their nature, the late George Smith, who gave them to the world in his well-known book, The Chaldean Account of Genesis, in 1875. Since that time numerous other translations have appeared, not only in England, but also on the Continent. Among those who have taken part in the work of studying and translating these texts may be named Profs. Sayce, Oppert, Hommel, and Delitzsch, the last-named having both edited the first edition of Smith’s book (the first issued on this subject on the Continent), and published one of the last and most complete editions of the whole legend yet placed before the public. To Prof. Sayce, as well as to Prof. Hommel, belongs the honour of many brilliant suggestions as to the tendency of the texts of the creation as a whole: Prof. Oppert was the first to point out that the last tablet of the series was not, as Smith thought, an “Address to primitive man,” but an address to the god Merodach as the restorer of order out of chaos; whilst Delitzsch has perhaps (being almost the last to write upon it) improved the translation more than many of his predecessors in the work.

Before proceeding to deal with the legend itself, a few remarks upon the tablets and the text that they bear will probably not be considered out of place. There are, in all likelihood, but few who have not seen in the British Museum or elsewhere those yellow baked terra-cotta tablets of various sizes and shapes, upon which the Babylonians and Assyrians were accustomed to write their records. And well it is for the science of Assyriology that they used this exceedingly durable material. I have said that the tablets are yellow in colour, and this is generally the case, but the tint varies greatly, and may approach dark grey or black, and even appear as a very good sage-green. The smaller tablets are often cushion-shaped, but, with some few exceptions, they are rectangular, like those of larger size. The writing varies so considerably that the hand of the various scribes can sometimes be distinguished. In the best class of tablets every tenth line is often numbered—a proof that the Assyrians and Babylonians were very careful with the documents with which they had to deal. The Babylonian tablets closely resemble the Assyrian, but the style of the writing differs somewhat, and it is, in general, more difficult to read than the Assyrian. None of the tablets of the Creation-series are, unfortunately, perfect, and many of the fragments are mere scraps, but as more than one copy of each anciently existed, and has survived, the wanting parts of one text can often be supplied from another copy. That copies come from Babylon as well as from Nineveh is a very fortunate circumstance, as our records are rendered more complete thereby.

Of the obverse of the first tablet very little, unfortunately, remains, but what there is extant is of the highest interest. Luckily, we have the beginning of this remarkable legend, which runs, according to the latest and best commentaries, as follows—

“When on high the heavens were unnamed, Beneath the earth bore not a name: The primæval ocean was their producer; Mummu Tiamtu was she who begot the whole of them. Their waters in one united themselves, and The plains were not outlined, marshes were not to be seen. When none of the gods had come forth, They bore no name, the fates [had not been determined]. There were produced the gods [all of them?]: Laḫmu and Laḫamu went forth [as the first?]: The ages were great, [the times were long?]. Anšar and Kišar were produced and over th[em].... Long grew the days; there came forth (?)... The god Anu, their son..... Anšar, the god Anu......”

Such is the tenor of the opening lines of the Babylonian story of the Creation, and the differences between the two accounts are striking enough. Before proceeding, however, to examine and compare them, a few words upon the Babylonian version may not be without value.

First we must note that the above introduction to the legend has been excellently explained and commented upon by the Syrian writer Damascius. The following is his explanation of the Babylonian teaching concerning the creation of the world—

“But the Babylonians, like the rest of the Barbarians, pass over in silence the one principle of the Universe, and they constitute two, Tauthé and Apason, making Apason the husband of Tauthé, and denominating her the mother of the gods. And from these proceeds an only-begotten son, Moumis, which, I conceive, is no other than the intelligible world proceeding from the two principles. From them, also, another progeny is derived, Daché and Dachos; and again a third, Kissaré and Assoros, from which last three others proceed, Anos, and Illinos, and Aos. And of Aos and Dauké is born a son called Belos, who, they say, is the fabricator of the world, the Creator.”

The likeness of the names given in this extract from Damascius will be noticed, and will probably also be recognized as a valuable verification of the certainty now attained by Assyriologists in the reading of the proper names. In Tiamtu, or, rather, Tiawthu, will be easily recognized the Tauthé of Damascius, whose son, as appears from a later fragment, was called Mummu (= Moumis). Apason he gives as the husband of Tauthé, but of this we know nothing from the Babylonian tablet, which, however, speaks of this Apason (apsû, “the abyss”), which corresponds with the “primæval ocean” of the Babylonian tablet.

In Daché and Dachos it is easy to see that there has been a confusion between Greek Λ and Δ, which so closely resemble each other. Daché and Dachos should, therefore, be corrected into Laché and Lachos, the Laḫmu and Laḫamu (better Laḫwu and Laḫawu) of the Babylonian text. They were the male and female personifications of the heavens. Anšar and Kišar are the Greek author’s Assoros and Kisaré, the “Host of Heaven” and the “Host of Earth” respectively. The three proceeding from them, Anos, Illinos, and Aos, are the well-known Anu, the god of the heavens; Illil, for En-lila, the Sumerian god of the earth and the Underworld; and Aa or Ea, the god of the waters, who seems to have been identified by some with Yau or Jah. Aa or Ea was the husband of Damkina, or Dawkina, the Dauké of Damascius, from whom, as he says, Belos, i.e. Bel-Merodach, was born, and if he did not “fabricate the world,” at least he ordered it anew, after his great fight with the Dragon of Chaos, as we shall see when we come to the third tablet of the series.

After the lines printed above the text is rather defective, but it would seem that the god Nudimmud (Ae or Ea), “the wise and open of ear,” next came into existence. A comparison is then apparently made between these deities on the one hand, and Tiamtu, Apsû, and Mummu on the other—to the disadvantage of the latter. On Apsû complaining that he had no peace by day nor rest by night on account of the ways of the gods, their sons, it was at last determined to make war upon them.

“They have become hostile, and at the side of Tiamtu they advance, Storming, planning, not resting night and day, They make ready for battle, wrathful (and) raging. They assemble themselves together, and make ready (for) the strife.

Ummu Ḫubur, she who created everything, Added irresistible weapons, produced giant serpents, Sharp of tooth, unsparing (their) stings (?) She caused poison to fill their bodies like blood.

Raging dragons clothed she with terrors, She endowed (them) with brilliance, she made (them) like the high ones (?) ‘Whoever sees them may fright overwhelm, May their bodies rear on high, and may (none) turn aside their breast.’

She set up the viper, the pithon, and the Laḫamu, Great monsters, raging dogs, scorpion-men, Driving demons, fish-men, and mountain-rams, Bearing unsparing weapons, not fearing battle;

Powerful are (her) commands, and irresistible, She made altogether eleven like that, Among the gods her firstborn, he who had made for her a host, Kingu, she raised among them, him she made chief.

Those going in front before the army, those leading the host, Raising weapons, attacking, who rise up (for) the fray, The leadership of the conflict She delivered into his hand, and caused him to sit in state (?). ‘I have set firm thy word, in the assembly of the gods I have made thee great,

The rule of the gods, all of them, have I delivered into thy hand, Only be thou great—thou, my only husband— Let them exalt thy name over all the heavenly ones (?)’ She gave him then the tablets of fate, she placed them in his bosom: ‘As for thee, thy command shall not be changed, may thy utterances stand firm!’